Lights! Camera! Aristotle!

Having written a subversive action novel focused on terrorism that some early readers indicated would make a great movie, I gave the project some thought and soon concluded that my story was a natural for film adaptation. It has a simple, linear plot with subplots to spare and at least half of its settings were real places I hadn’t had to make up, with sharp, luminous details.

Suspecting that there was more to this I needed to know, I straightaway dove into the turbulent and treacherous waters of screenwriting, only to surface gasping over how ginormous and competitive, how overflowing with talent, copy, and productions the screenplay marketplace is. Not to mention the secondary markets for script consultants, synopsizers, agents, contests, how-to books, DVDs, webinars, and software products wanting to help you write screenplays that sell. Emerging from my brief and bewildering dip into these waters, it was closeup clear that to navigate a course to celluloid I needed to consult sage practitioners of the art. Continue reading “Lights! Camera! Aristotle!”

A Cowbird Walks out of a Bar…

For close to five years I have been a member of an online community of writers called for no compelling reason cowbird.com, which grew to encompass 14,000+ writers who put out almost 90,000 stories, all tagged and organized, most with images, some with audio. Members could love and comment on stories and privately message one another. It was a happening place for authors and visual artists

Yesterday, Cowbird turned to stone. The writers and the stories will remain, but authors and readers can no longer interact and no new stories can be posted. Instead of being a living “library of human experience” it’s become the library’s archives. Continue reading “A Cowbird Walks out of a Bar…”