The Rocky Ride of Eddy Robinson
Every one of us bears within him the possibility of all passions, all destinies of life in all its manifold forms. Nothing human is foreign to us. ~ Edward G. Robinson
In the darkest days of World War II, Hollywood went to bat for Russia—our ally then—by adapting Soviet propaganda films for the American audience and making some of its own on their behalf. This amazing documentary, a paean to the heroism of the Russian people and the Red Army, was shot before, during, and after Hitler’s siege of Moscow. Filmed between October 1941 and January 1942 during a time of invasion, privation, agony and death in the depths of the Russian winter, Moscow Strikes Back (Russian version here) may be a little hard to take in spots, but is well worth an hour of your time. Should the following video start in the middle, rewind by dragging the red button all the way to the left. Makes me think: wouldn’t it be nice to be able to rewind America away from the right? Continue reading “From Russia with Trepidation”
Having written a subversive action novel focused on terrorism that some early readers indicated would make a great movie, I gave the project some thought and soon concluded that my story was a natural for film adaptation. It has a simple, linear plot with subplots to spare and at least half of its settings were real places I hadn’t had to make up, with sharp, luminous details.
Suspecting that there was more to this I needed to know, I straightaway dove into the turbulent and treacherous waters of screenwriting, only to surface gasping over how ginormous and competitive, how overflowing with talent, copy, and productions the screenplay marketplace is. Not to mention the secondary markets for script consultants, synopsizers, agents, contests, how-to books, DVDs, webinars, and software products wanting to help you write screenplays that sell. Emerging from my brief and bewildering dip into these waters, it was closeup clear that to navigate a course to celluloid I needed to consult sage practitioners of the art. Continue reading “Lights! Camera! Aristotle!”
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