The 2400 words that follow encapsulate three years of struggle to produce and publish a book into a somewhat coherent memoir. Should your interest start to flag as you skim through, don’t abandon ship; simply scroll to the end for a summation and a special offer.
~ Geoff Dutton
Once upon a time, when my life was in upheaval, in an urgent act of therapy I channeled my angst into a novel. It seemed necessary at the time, but as my situation improved my motivation ebbed and I abandoned it halfway through. Twenty years later, I began another one. It too was an act of therapy, but for society rather than myself. And because its topic—the threat of radical Islamic terrorism—was all over the news, I wanted it to be reality-driven, socially relevant, politically provocative, and an antidote to Islamophobia.
My unaccountable passion to tell that story and my determination to finish it drove me to write 120,000 words over 18 months and badger dozens of literary agents and publishers. After nine revisions, it weighed in at 105K words and just under 400 pages, a bit obese for a first novel as some literary types informed me. But it is what it is, I decided, and started peddling it again. Six months later—just a few days ago—it was published, but not as I had envisioned.
Let me tell you how all that went. Continue reading “Publishing Made Tedious: The Birthing of a Politically Incorrect Novel”
Having written a subversive action novel focused on terrorism that some early readers indicated would make a great movie, I gave the project some thought and soon concluded that my story was a natural for film adaptation. It has a simple, linear plot with subplots to spare and at least half of its settings were real places I hadn’t had to make up, with sharp, luminous details.
Suspecting that there was more to this I needed to know, I straightaway dove into the turbulent and treacherous waters of screenwriting, only to surface gasping over how ginormous and competitive, how overflowing with talent, copy, and productions the screenplay marketplace is. Not to mention the secondary markets for script consultants, synopsizers, agents, contests, how-to books, DVDs, webinars, and software products wanting to help you write screenplays that sell. Emerging from my brief and bewildering dip into these waters, it was closeup clear that to navigate a course to celluloid I needed to consult sage practitioners of the art. Continue reading “Lights! Camera! Aristotle!”
For close to five years I have been a member of an online community of writers called for no compelling reason cowbird.com, which grew to encompass 14,000+ writers who put out almost 90,000 stories, all tagged and organized, most with images, some with audio. Members could love and comment on stories and privately message one another. It was a happening place for authors and visual artists
Yesterday, Cowbird turned to stone. The writers and the stories will remain, but authors and readers can no longer interact and no new stories can be posted. Instead of being a living “library of human experience” it’s become the library’s archives. Continue reading “A Cowbird Walks out of a Bar…”